Manifestos Submission: Movie

Manifestos Submission: Presentation

Manifestos Submission: Renders

Manifestos Submission: Model Photos

Assignment 2

I thought I'd take the opportunity to add some comments about my work that I didn't get a chance to say in studio yesterday - hopefully this doesn't come too late for marking... (Probably before reading this, though, it would make more sense to first read the text on my presentation, which goes through my main ideas.)

Sequence and movement: the entry and movement around the house was carefully considered - particularly the entry. On arrival, the car would be parked behind the southern wall of the house, and the entry is on the eastern side of the house. When walking in, it is unclear which way to go, left or right of the bookcase wall - but the presence of the two cones and the elliptical negative space between them leads to the light and to the north. I wanted to create compression and a dramatic sense of tension on entry, and then freedom on moving further into the house. The way that one would move inside the house is inspired by a playground - it is not restricted to one plane and visual connections between upper and lower and maintained in almost the entire house. This is to hopefully create an enhanced feeling of physical activity and play - walking is not the only mode of transport: climbing and weaving are as well, and perhaps the occupants would find new ways of getting around and up to the platforms on the upper level.

Exploration/interactivity: This is linked to the above, but a bit different... I wanted the house to facilitate exploration and discovery, both inside and in its surrounds. In the house, it is not immediately clear what is where, particularly in the bookcase-wall. The kitchen and study, for example, would be within the bookcase, but behind folding cupboard-like doors, and each object in its place would need to be discovered (a bit like an advent calender!). The bed platforms are entered through the wardrobe hanging space (within the bookcase wall as well) and privacy is adjusted by the amount and kind of things that are stored in the shelving around the bed. Connections to the outside are also established to encourage exploration; there are two lookouts, one at the top of the reading cone, and one at the end of the deck-finger that reaches out to the west. Using these lookouts, the inhabitants can anticipate the conditions outside and make plans about their activities for the day.

Things that I need to develop:

Outer skin: In the drawings and model I have presented there it isn't clear what I intend to do with the north, east and west facades. I don't think it's feasible, given the climate, to just glaze these three surfaces, and I envisage them as a combination of glass, danpalon, and tent-like fabric skins at the moment. This is something that I am still designing...

Cone-interiors: These, particularly the bathroom, need to be firmed-up... The bathroom (with rainwater possibly running through somehow) will be tricky but I have thought about it a lot, and have some ideas... Structurally the idea is that I continue the floor surface up the outside of the reading cone and the roof cladding onto the inside of the bathroom to establish a continuity of floor/roof in both cases.

I'm sure there are a lot more...!

WEAVING

Potentials Submission
Part 4 of 4

My final process was weaving. I elongated my module and sliced off the flat side of it, and then laid copies along side each other so that some parts of each were 'spooned' by the others (I think they look quite a lot like spoons actually...). I think it looks quite dynamic and exciting - like a rush of blood or a swish of fabric. Rather than interpret this as a space within my house, I think I might adopt these shapes, loosely, into the spatial layout of the house.

PACKING

Potentials Submission
Part 3 of 4

After repeating and tesselating my module in different planes, I then layered these planes together so that each plane interlocked with the next (this is shown in the first two images). While experimenting with the opacity of the materials, I found that delicate patterns were created when the modules were quite transparent. The patterns created have depth but are also geometric graphics and in that sense are quite two dimensional. Amongst the shadows, there are repeating curved elements that resemble the undulations in the site's contour lines. The final image shows how these relate. I think that I will use these images as section cuts or plan images, and extract some of the shapes and layers into my designs that follow.

TILING

Potentials Submission
Part 2 of 4

Here I split my module into it's component prisms (which are almost identical and therefore modules themselves). I then aligned them to form a square in plan, which I then repeated (you can see this in the first image). Beautiful wrinkled (if I do say so myself!) textures are created in this plane - it looks like waves or some kind of puckered skin. To give it more depth, I pulled some of the prisms out at varying depths (images 4 to 6 show this). The lightly gridded and fractured surface in the final image suggests ice floes. The deeper prisms below the ice-like surface look like they could be some kind of vertical transportation, waiting to slot back into the grid.

At the moment I am unsure how I might use these images. I like the way that they relate to the cold and harsh environment on Bruny Island (though there is no ice that I know of there!), and perhaps this is a pattern that I could use within my house as a structural framework or textured surface of some kind.

SPIRALING

Encircling, protection, expansion

Touch, femininity, impermanance

Three inhabitants, three places together

Potentials Submission Part 1 of 4

I took my module and sliced it into ribbons, repeating, twisting and overlapping these in different arrangements. In this exploration, groups of three became obvious - three white 'hills' as well as three loops. Given that my clients are a family of three, this seemed appropriate, and the images (particularly the last few) suggest a way to provide both separation and unity. I am also interested in exploring the looped ribbon shapes as some kind of sheltering element or perhaps a tactile effect. The pinks and reds that I have used suggest warmth and richness - I will consider using these colours within the house to create intensity.

Spiraling Renders

These are renders of 'spiraling' - rather than a large scale arrangement, the module is sliced up and spiraled in on itself. I really liked these particular images, because I think that they give a sense of the original module (as shown in the model photos).

Preliminary Renders

These are a few of the renders that I have done so far - my favourite is the red one. The first and third are my attempt at 'packing', and the second is a kind of spiraling.

Module Model

Here are some pics of my module model - I made it by laminating sheets of balsa together and sanding/carving them down. Fits nicely in my hand!

My clients are Andrew Denton and Jennifer Byrne, and the module is inspired by a few things about them: their contrasting private/public personae, and subsequent need for both social and secluded places, and some sort of sensuality that I see in them...